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    <loc>https://www.allietepper.com/derek-fordjour</loc>
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    <lastmod>2021-09-28</lastmod>
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      <image:title>Derek Fordjour: Half Mast</image:title>
      <image:caption>Derek Fordjour (b. 1974), Half Mast, 2018 (installation view, Whitney Museum of American Art, New York, September 24, 2018-). Collection of the artist; courtesy Night Gallery, Los Angeles. Photograph by Ron Amstutz</image:caption>
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    <image:image>
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      <image:title>Derek Fordjour: Half Mast</image:title>
      <image:caption>Derek Fordjour (b. 1974), Half Mast, 2018 (installation view, Whitney Museum of American Art, New York, September 24, 2018-). Collection of the artist; courtesy Night Gallery, Los Angeles. Photograph by Ron Amstutz</image:caption>
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    <image:image>
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      <image:title>Derek Fordjour: Half Mast</image:title>
      <image:caption>Derek Fordjour (b. 1974), Half Mast, 2018 (installation view, Whitney Museum of American Art, New York, September 24, 2018-). Collection of the artist; courtesy Night Gallery, Los Angeles. Photograph by Ron Amstutz</image:caption>
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      <image:title>Derek Fordjour: Half Mast</image:title>
      <image:caption>Derek Fordjour presenting his work to the Whitney’s Youth Insights group. Photo: Scott Rothkopf</image:caption>
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  <url>
    <loc>https://www.allietepper.com/another-echo</loc>
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    <priority>0.75</priority>
    <lastmod>2023-04-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549045800268-CU7R9KJ4624SXOTCZ76G/wang-install-IMG_6096.JPG</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>WangShui, Gardens of Perfect Exposure, 2018, installation view, SculptureCenter, New York 2018. Chromed bath fixtures, silkworms, roof repair fabric, laminated hair, glass gobs, TV, selfie ring lights, plexiglass, earrings, HD camcorders, rehydrated mulberry leaves, silk, magnets. Dimensions variable. Courtesy the artist. Photo: Kyle Knodell</image:caption>
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    <image:image>
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      <image:title>Another Echo</image:title>
      <image:caption>Carmen Winant. Looking forward to being attacked, 2018. Photo: Kyle Knodell.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549159728981-H6ACL9ZNU81AI9KLDY26/CW-2018_In_Practice_00003.jpg</image:loc>
      <image:title>Another Echo</image:title>
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      <image:title>Another Echo</image:title>
      <image:caption>Cudelice Brazelton. Leo, 2018. Installation view. Photo: Kyle Knodell.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549159712738-41CQ6NUZJ1IZO3ZPBAUQ/CB-2018_In_Practice_00010.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Cudelice Brazelton, installation view.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549213547798-BYWO0TC9LOM851BL6ZT3/website-30.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Jon Wang. Gardens of Perfect Exposure, 2018.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549213516968-QWOFXY7K5FGUIQE0292Y/03_Gardens_of_Perfect_Exposure.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Jon Wang. Gardens of Perfect Exposure, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549310169316-6STRAUWVSNWYJI4A5HXO/2018_In_Practice_00007.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Installation view: Nobutaka Aozaki, Label 228, 2018; Juliana Cerqueira Leite, “Who speaks english?...”, 2018. Photo: Kyle Knodell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549310147117-H7YR95OQPOCSHO8OJ5LH/2018_In_Practice_00006.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Priyanka Dasgupta &amp; Chad Marshall. Passage, 2018. Photo: Kyle Knodell</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549159755637-BMGTOXIM0O1ZU5NVUBO4/BK-2018_In_Practice_00003.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Baseera Khan. [Feat.], 2018. Photo: Kyle Knodell</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549160950461-PC684P3ZNLLTOFG3NQSK/_87A6757-2-v2.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Baseera Khan. [Feat.], 2018.</image:caption>
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    <image:image>
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      <image:title>Another Echo</image:title>
      <image:caption>Installation view.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549425312541-1SPLWDHEPMAHHSFA2U05/_87A6837+%281%29.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Lachell Workman, Installation view.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549235243090-EYQHFH5L8HM80U6UFJOW/2018_01_26_SC_IP_0040%2B0043.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Courtney McClellan. Midlands (Part I), 2018. Photo: Kyle Knodell</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549235312509-RJY5AHTH4KI3CGCA595J/JG-2018_In_Practice_00009.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Jules Gimbrone. Dysmorphias Draw a Line, 2018. Photo: Kyle Knodell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549310146305-DEAYHY22HI0KF1G4RQMP/CD-2018_In_Practice_00012.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Carey Denniston, installation view.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549425246863-22XVN2U5Q16DI2N309F9/rsz_h500_30_297.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Carey Denniston, detail.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549425141812-HG8D00AFK85EFYFLXGUP/2018_01_26_SC_IP_0074.jpg</image:loc>
      <image:title>Another Echo</image:title>
      <image:caption>Elena Ailes &amp; Simon Belleau. Urning, 2018 (detail). Photo: Kyle Knodell</image:caption>
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    <image:image>
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      <image:title>Another Echo</image:title>
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  <url>
    <loc>https://www.allietepper.com/about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-02</lastmod>
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  <url>
    <loc>https://www.allietepper.com/running-towards-the-sun</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549732785111-ARIOTXNP00FGO3081EF2/Install_3..jpg</image:loc>
      <image:title>Running Towards the Sun</image:title>
      <image:caption>Photo: Jack Barrett</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549124094048-DLEJ7O6SK54BSBF4GRX8/GM_Shrine+for+the+UNdocumented+Children.jpg</image:loc>
      <image:title>Running Towards the Sun</image:title>
      <image:caption>Guadalupe Maravilla. Shrine for the Undocumented Children, 2018. Photo: Jack Barrett</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549124120570-L2S0W3QLLX1YE1PVULIE/Install_1.jpg</image:loc>
      <image:title>Running Towards the Sun</image:title>
      <image:caption>Left: Efraín Rozas. Prosthesis 1, from the series Myth and Prothesis, 2018. Right: Grace Rosario Perkins, Running Towards the Sun, 2017. Photo: Jack Barrett.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549124142630-0TUMAOTR2Q564U79HGTY/ER_Prosthesis+1.jpg</image:loc>
      <image:title>Running Towards the Sun</image:title>
      <image:caption>Efraín Rozas. Prosthesis 1, from the series Myth and Prothesis, 2018. Custom software, bata drums, solenoid motors, percussion hardware, and assorted found objects Dimensions variable. Photo: Jack Barrett.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549124198828-PMEAKZ3GPK7W2MXDOIBX/GRP_Running+Towards+the+Sun.jpg</image:loc>
      <image:title>Running Towards the Sun</image:title>
      <image:caption>Grace Rosario Perkins. Running Towards the Sun, 2017. Acrylic and spray paint on canvas 71 x 106 inches. Photo: Jack Barrett.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549131485691-ADCZ33OULT2XRXDDD3ZM/Install_2-1.jpg</image:loc>
      <image:title>Running Towards the Sun</image:title>
      <image:caption>Installation view: Running Towards the Sun. Photo: Jack Barrett.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549131522888-6ZX0PV84Y6PUZ6WDSZ0D/Install_4.jpg</image:loc>
      <image:title>Running Towards the Sun</image:title>
      <image:caption>Installation view: Running Towards the Sun. Photo: Jack Barrett.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549131530805-IZBYECTNGUIP8NTNDGRG/Maravilla_Shrine+for+the+Undocumented+Children+%28detail%29.jpg</image:loc>
      <image:title>Running Towards the Sun</image:title>
      <image:caption>Guadalupe Maravilla. Shrine for the Undocumented Children, 2018. Assorted objects, ink and graphite on wall, and soil sourced from the U.S./Mexico border and El Salvador. Photo: Jack Barrett.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549131470417-4N5AT327JYLUJNAQDV9Y/GRP_Ours+%28Everything%29.jpg</image:loc>
      <image:title>Running Towards the Sun</image:title>
      <image:caption>Grace Rosario Perkins. Ours (Everything), 2017. Photolithograph. 22 1/4 x 14 3/4 inches. Photo: Jack Barrett.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549337139677-3VIXPN77VXU2FZCUWB4X/IMG_9321.JPG</image:loc>
      <image:title>Running Towards the Sun</image:title>
      <image:caption>Left to right: Grace Rosario Perkins, Efraín Rozas, Guadalupe Maravilla. Photo: Allie Tepper</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549337085888-35EVVNA6ZIU6FDK9HEUA/IMG_9809.JPG</image:loc>
      <image:title>Running Towards the Sun</image:title>
      <image:caption>Guadalupe Maravilla, Shrine for the Undocumented Children, 2018. Photo: Allie Tepper</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.allietepper.com/writing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/b8ec7811-d515-462f-afb8-136ab0c0df87/LVI_Hero_2.webp</image:loc>
      <image:title>writing</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/95072458-27c0-4fd4-8198-52a507af047f/Screenshot+2026-02-20+at+12.47.01%E2%80%AFPM.png</image:loc>
      <image:title>writing - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.allietepper.com/not-for-everybody</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-29</lastmod>
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      <image:title>Not for Everybody</image:title>
      <image:caption>Photo: Dario Lasagni</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549129517801-AYRGL53ZF16X72EALLRB/Simone+Subal+Gallery_Not+for+everybody_11%2C2018_0067+copy.jpg</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Photo: Dario Lasagni</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549129519020-ZTFTB87CPG66Y7MFQGYS/Simone+Subal+Gallery_Not+for+everybody_11%2C2018_0080.jpg</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Photo: Dario Lasagni</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549129525958-G6NVNAOX1Q19B9SSJKQX/Simone+Subal+Gallery_Not+for+everybody_11%2C2018_0100.jpg</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Photo: Dario Lasagni</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549129529853-FQIE32CPXJJHBM3UE9N3/Simone+Subal+Gallery_Not+for+everybody_11%2C2018_0126.jpg</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Photo: Dario Lasagni</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549129535071-84VJA6P0Y0U2VT2GYEL7/Simone+Subal+Gallery_Not+for+everybody_11%2C2018_0133+copy.jpg</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Photo: Dario Lasagni</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549129536684-RMJAI0YA7Z5UQEHWXXN3/Simone+Subal+Gallery_Not+for+everybody_11%2C2018_0136.jpg</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Photo: Dario Lasagni</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549131253537-F8S91GP2A63RQ0Z1QA2L/HF-Pot+2.jpg</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Hadi Fallahpisheh. The Truth Has Four Legs (On Hold), 2018. Ceramic vase, rug, audio, and pulley. Photo: Dario Lasagni</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549129559173-W248E1YFA2J25D6EQJVI/Baseera+Khan_0019.jpg</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Baseera Khan. Privacy Control, 2018. Acrylic sheets, two-way mirror film, steel poles, vinyl. Photo: Dario Lasagni</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549129847087-9QWI9G5DQI73VFVWAY04/Screen+Shot+2018-11-03+at+4.56.09+PM.png</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Baseera Khan. Planet Fitness, 2016. Photo courtesy the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549131291771-M4CM7VK91N81OW5592N6/Screen+Shot+2018-11-29+at+9.47.01+AM.png</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Gloria Maximo. Upward Mobility (Woman Working), 2018. Single channel video, color, sound. Photo courtesy the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549129697814-XXCH6B47EHONILLKKQJC/Gloria+Maximo_0041.jpg</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Gloria Maximo. Upward Mobility (The Color of Cardboard), 2018. Mineral silicate paint on cast plaster panel. Photo: Dario Lasagni</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549129699896-FPT9U6Z3I16XMZU52L1V/Gloria+Maximo_0043.jpg</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Gloria Maximo. Upward Mobility (The Color of Cardboard), 2018. Mineral silicate paint on cast plaster panel. Photo: Dario Lasagni</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c0b3ba55cfd79ad6b175287/1549129702815-JLN3YV1KQZ32SSJ6M29X/Gloria+Maximo_0054.jpg</image:loc>
      <image:title>Not for Everybody</image:title>
      <image:caption>Gloria Maximo. Upward Mobility (The Latter Rain), 2018. Mineral silicate paint on plaster, board, wooden stretcher, folding table, tablecloth. Photo: Dario Lasagni</image:caption>
    </image:image>
    <image:image>
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      <image:title>Not for Everybody</image:title>
      <image:caption>Purity, 2018. Chromogenic print, acrylic. Photo: Dario Lasagni</image:caption>
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      <image:title>Not for Everybody</image:title>
      <image:caption>Dawn, 2018. Chromogenic print, acrylic. Photo: Dario Lasagni</image:caption>
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      <image:caption>Hadi Fallahpisheh. The Truth Has Four Legs (Hidden in Translation), 2017-18. Chromogenic print. Photo: Dario Lasagni</image:caption>
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      <image:caption>Hadi Fallahpisheh. The Truth Has Four Legs (Punishment II), 2017-18. Chromogenic print. Photo courtesy the artist</image:caption>
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      <image:caption>Bassera Khan performing within Privacy Control, December 2, 2018 at Simone Subal Gallery. Photo: Allie Tepper</image:caption>
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      <image:title>Rabih Mroue Again we are defeated</image:title>
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      <image:title>Rabih Mroue Again we are defeated</image:title>
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      <image:title>Rabih Mroue Again we are defeated</image:title>
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      <image:title>Rabih Mroue Again we are defeated</image:title>
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      <image:title>Rabih Mroue Again we are defeated</image:title>
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    <lastmod>2019-08-09</lastmod>
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      <image:caption>Photo: Malanda Jean-Claude</image:caption>
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      <image:caption>Photo: Ron Amstutz</image:caption>
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      <image:caption>Photo: Ron Amstutz</image:caption>
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      <image:title>Nick Mauss: Transmissions</image:title>
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      <image:title>Nick Mauss: Transmissions</image:title>
      <image:caption>Photo: Ron Amstutz</image:caption>
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      <image:title>Nick Mauss: Transmissions</image:title>
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      <image:title>Nick Mauss: Transmissions</image:title>
      <image:caption>Photo: Ron Amstutz</image:caption>
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      <image:title>Nick Mauss: Transmissions</image:title>
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      <image:title>Nick Mauss: Transmissions</image:title>
      <image:caption>Photo: Paula Court</image:caption>
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    <loc>https://www.allietepper.com/mpa-red-in-view</loc>
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    <lastmod>2020-08-20</lastmod>
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      <image:caption>MPA (b. 1980), Entrance, 2014–2016 (left). Pigmented inkjet print mounted on mat board and painted wood, 7 x 7 in. (17.8 x 17.8 cm). Courtesy of the artist and Higher Pictures. Surrender, 2014–2016 (right). Pigmented inkjet print mounted on mat board and painted wood, 7 x 7 in. (17.8 x 17.8 cm). Courtesy of the artist and Higher Pictures</image:caption>
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      <image:caption>Documentation of The Interview. Courtesy the artist.</image:caption>
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      <image:caption>Documentation of Orbit. Photo: Paula Court.</image:caption>
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      <image:caption>Documentation of Orbit. Photo: Paula Court.</image:caption>
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      <image:caption>Documentation of Orbit. Photo: Paula Court.</image:caption>
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    <lastmod>2020-08-20</lastmod>
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      <image:title>Juan Antonio Olivares: Moléculas</image:title>
      <image:caption>Juan Antonio Olivares, still from Moléculas, 2017. High-definition video, color, sound; 10 min. Whitney Museum of American Art; purchase with funds from the Film, Video, and New Media Committee. Image courtesy the artist</image:caption>
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      <image:caption>Installation view. Photo: Juan Antonio Olivares.</image:caption>
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      <image:caption>Juan Antonio Olivares, still from Moléculas, 2017. High-definition video, color, sound, 10 min. Whitney Museum of American Art; purchase with funds from the Film, Video, and New Media Committee. Image courtesy the artist</image:caption>
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      <image:caption>Juan Antonio Olivares, still from Moléculas, 2017. High-definition video, color, sound, 10 min. Whitney Museum of American Art; purchase with funds from the Film, Video, and New Media Committee. Image courtesy the artist</image:caption>
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      <image:caption>Juan Antonio Olivares, still from Moléculas, 2017. High-definition video, color, sound, 10 min. Whitney Museum of American Art; purchase with funds from the Film, Video, and New Media Committee. Image courtesy the artist</image:caption>
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